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Winter

ebook
1 of 1 copy available
1 of 1 copy available

The fourth and final volume in the Nobel Prize–winning writer's epic of one man's fateful life in medieval Norway

Set in thirteenth-century Norway, a land racked by political turmoil, bloody family vendettas, and rising tensions between secular powers and an ascendant church, Sigrid Undset's spellbinding masterpiece now follows the fortunes of Olav Audunssøn to the final, dramatic chapter of his life as it unfolds in Winter, the last volume of the tetralogy. When the orphaned Olav and his foster sister Ingunn became betrothed in their youth, a chain of events was set in motion that eventually led to violence, banishment, and a family separation lasting years. The consequences fracture their marriage and threaten the lineage for generations. Now, at the end of his life, Olav continues to grapple with the guilt of his sins as he watches his children, especially Eirik, make disastrous choices and struggle to find their rightful place in a family haunted by the past.

With its precise details and sweeping vision, Olav Audunssøn summons a powerful picture of Northern life in medieval times, as noted by the Swedish Academy in awarding Undset the Nobel Prize in 1928. Conveying both the intimate drama and the epic proportions of Olav's story at its conclusion, Winter is a moving and masterly recreation of a vanished world tainted by bloodshed and haunted by sin and retribution—yet one that might still offer a chance for redemption.

As with Kristin Lavransdatter, her earlier medieval epic, Sigrid Undset wrote Olav Audunssøn after immersive research in the legal, religious, and historical writings of the time to create an astoundingly authentic and compelling portrait of Norwegian life in the Middle Ages. And as in her translation of Kristin Lavransdatter, Tiina Nunnally does full justice to Undset's natural, fluid prose—in a style by turns plainspoken and delicately lyrical—to convey the natural world, the complex culture, and the fraught emotional territory against which Olav's story inexorably unfolds.

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    • Kirkus

      August 15, 2023
      Nobel Prize-winning Norwegian author Undset brings her tetralogy of medieval life to a resounding, memorable, and death-haunted close. Though she is best known for her 1920 trilogy Kristin Lavransdatter, Undset's most ambitious work may be her Olav Audunss�n series (1925-27), set in a time when Norway was transforming from a land of Viking war chiefs and blood vendettas to a Christian monarchy based on law. At the opening of this story, a young man named Aslak Gunnarss�n asks Olav, now a wealthy landowner in the fjord country west of Oslo, for sanctuary: Aslak has killed a man and is hiding from the law. The reluctant, morose Olav, still haunted by the long-ago death of his wife, Ingunn Steinfinnsdatter, grants Aslak's wish, but when Aslak falls in love with his young daughter, Cecilia, Olav sends him away. Cecilia's smile in Aslak's presence, which "radiated such sweetness and secret joy that Olav couldn't recall seeing a fairer sight," soon fades away into gloom. Just so, Olav's son, Eirik, whom he's raised as his own although fathered with Ingunn by another man, loses his beloved to an ugly bout of scrofula and, though once a good candidate for the outlaw life, joins a monastery. Lacking heirs, aging and weakening, Olav marries Cecilia off to a loser named J�rund, which introduces still more misery into their daily lives. Cecilia gets her revenge, though, and so, in his own way, does the would-be saint Eirik. The overall glumness of Undset's concluding volume is of a piece with the earlier books, and it would do a suite of Bergman films proud; the reader should be prepared to accommodate plenty of Nordic darkness punctuated by the occasional flash of a dagger. As always, Undset's deep knowledge of Catholic doctrine and Scandinavian history informs her work, which, while cheerless and sometimes rather graphic ("Relief set in as soon as he stopped vomiting blood"), is both elegantly written and well translated. A fine conclusion to an eminently readable classic of modernist historical fiction.

      COPYRIGHT(2023) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Library Journal

      Starred review from November 1, 2023

      Nunnally, whose lauded translation of the epic Kristin Lavransdatter trilogy in the 1990s helped to revive widespread interest in Nobel Prize--winning Norwegian author Undset (1882-1949), translates the final installment in Undset's subsequent medieval Olav Audunss�n tetralogy. Undset's own favorite among her works, this weighty saga transports readers to 13th-century Norway, where clannish Old Norse traditions vie with newly ascendant church doctrines, nowhere more poignantly than in the lifelong moral struggles of the title character. Betrothed in his youth to his adoptive sister Ingunn in the first installment, Vows, Olav's fated and impetuously consummated marriage unleashes a tumultuous chain of trials, betrayals, and violence, with consequences destined to outlive their marriage. His happiness achieved at long last, Olav ultimately reaps the whirlwind in book two, Providence, followed by Crossroads, which delves into our antihero's reckoning of his sins, as he falteringly seeks to set his own children on a better path. Having been roused to bloody combat with invaders from the North, in Winter, Olav enters his final season facing one battle which he can never win, as he strives for a grace that cannot be grasped, but only received with open hands from a merciful God. Brushing away the cobwebs of the slightly fusty, century-old British translation, Nunnally's straightforward, unadorned telling makes for smooth reading, no small thing in an epic tetralogy that stretches to well over 1,000 pages. VERDICT Inspired by the dire, fatalistic mores of the Norse sagas and Undset's own devout Catholicism, her towering achievement is made less forbidding in Nunnally's welcome new translation, which is very much in keeping with the novelist's project of deromanticizing the past, resulting in a vivid, painstakingly researched historic re-creation, less akin to the lush swashbuckling of Dumas or Scott than to the harsh, immersive naturalism of Zola.

      Copyright 2023 Library Journal, LLC Used with permission.

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