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For the Time Being

Audiobook
3 of 3 copies available
3 of 3 copies available

From Annie Dillard, the Pulitzer Prize–winning author of Pilgrim at Tinker Creek and one of the most compelling writers of our time, comes For the Time Being, her most profound narrative to date. With her keen eye, penchant for paradox, and yearning for truth, Dillard renews our ability to discover wonder in life's smallest—and often darkest—corners.

Why do we exist? Where did we come from? How can one person matter? Dillard searches for answers in a powerful array of images: pictures of bird-headed dwarfs in the standard reference of human birth defects; ten thousand terra-cotta figures fashioned for a Chinese emperor in place of the human court that might have followed him into death; the paleontologist and theologian Teilhard de Chardin crossing the Gobi Desert; the dizzying variety of clouds. Vivid, eloquent, and haunting, For the Time Being evokes no less than the terrifying grandeur of all that remains tantalizingly and troublingly beyond our understanding.

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    • Publisher's Weekly

      Starred review from March 1, 1999
      Writing as if on the edge of a precipice, staring over into the abyss, Dillard offers a risk-taking, inspiring meditation on life, death, birth, God, evil, eternity, the nuclear age and the human predicament. This unconventional mosaic, portions of which were first published in different form in Raritan, Harper's, etc., interweaves several disparate topics: the travels of French paleontologist and Jesuit priest Teilhard de Chardin in China and Mongolia, where his team in 1928 discovered the world's first fossil evidence of pre-Neanderthal humans; the life and teachings of the Baal Shem Tov, the 18th-century Ukrainian Jewish mystic who founded modern Hasidism; a natural history of sand--an epic drama of rocks, glaciers, lichen, rivers--and of individual clouds as witnessed by painters, poets, naturalists, scientists and laypeople. Rounding out this fugue are Dillard's visits to an obstetrical ward to watch healthy newborns emerge; her survey of tragic, horrific human birth defects; random encounters with strangers; her trips to Israel, where she visited Jesus' birthplace, and to China, where, at the tomb of the first Chinese emperor, Qin--mass murderer, burner of books, Mao's idol--she inspected the terra-cotta army of life-size soldiers who guard Qin in the afterlife. Dillard's unifying theme is the congruence of thought she detects in Teilhard, Kabbalists and Gnostics: each impels us to transform, build, complete and grant divinity to the world. Her cosmic perspective can seem like posturing at times, yet it succeeds admirably in forcing us to confront our denial of death, of the world's suffering, of the interconnectedness of all people. Her razor-sharp lyricism hones this mind-expanding existential scrapbook, which is imbued with the same spiritual yearning, moral urgency and reverence for nature that has informed nearly all of her nonfiction since the 1972 Pulitzer Prize-winning Pilgrim at Tinker Creek. 60,000 first printing.

    • AudioFile Magazine
      This is not a story, but a philosophical, meditative exploration of the world around us. It mixes history, spirituality, and keen observation to create a thoughtful, intelligent work. Narrator David Birney is exactly the right choice for this book. He understands that Dillard has written a personal book that has many interpretations. His voice is substantial, soft, and pleasingly familiar. At the same time that Birney forces us to think about what we're hearing, he allows us to digest the author's words without feeling rushed. The book covers a few themes and returns to each from time to time. Birney's pace and emphasis remind us of where we've been, then take us off to the next destination. R.I.G. (c) AudioFile 2002, Portland, Maine
    • AudioFile Magazine
      I don't know beans about God, she writes. But if Annie Dillard doesn't know beans about God, who does? Confucius? Ted Bundy? Christ? The Buddha? Joe Stalin? She quotes them all. I read this book before listening to it; I liked the listening better. In reading, I went too fast and missed something, or else I went too slowly and lost the beat. This is a study of religion, and yet it is so stark as to be almost coldhearted. David Birney has a marvelous voice. It's good to have his company. We come into the world alone and leave it the same way. That needn't be how we read, though. Not since the invention of the audiocassette. B.H.C. (c) AudioFile, Portland, Maine

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