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Notes on a Shipwreck

A Story of Refugees, Borders, and Hope

ebook
1 of 1 copy available
1 of 1 copy available
A moving firsthand account of migrant landings on the island of Lampedusa that gives voice to refugees, locals, and volunteers while also exploring a deeply personal father-son relationship.
On the island of Lampedusa, the southernmost part of Italy, between Africa and Europe, Davide Enia looks in the faces of those who arrive and those who wait, and tells the story of an individual and collective shipwreck. On one side, a multitude in motion, crossing entire nations and then the Mediterranean Sea under conditions beyond any imagination. On the other, a handful of men and women on the border of an era and a continent, trying to welcome the newcomers. In the middle is the author himself, telling of what actually happens at sea and on land, and the failure of words in the attempt to understand the present paradoxes.
Enia reveals the emotional consequences of this touching and disconcerting reality, especially in his relationship with his father, a recently retired doctor who agrees to travel with him to Lampedusa. Witnessing together the public pain of those who land and those who save them from death, alongside the private pain of his uncle's illness, pushes them to reinvent their relationship, to forge a new and unprecedented dialogue that replaces the silences of the past.
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    • Kirkus

      Starred review from December 15, 2018
      Subtle meditation and devastating detail combine in this journalistic memoir of refugee landings on the Italian island of Lampedusa.A prizewinning playwright in his native Italy, Enia (On Earth as It Is in Heaven, 2014, etc.) relies on the skills he sharpened as a journalist to recount the often deadly plight of exiles traveling over treacherous waters from Africa to Europe. Yet those depths also provide a backdrop for more intimate accounts--of a close friend who succumbed to cancer and an uncle who is suffering the same. In the aftermath of a particularly calamitous shipwreck--only 155 survivors landed on Lampedusa of the more than 500 who had begun the voyage--one rescuer observed, "It's normal, isn't it? You see someone in the water, you lean over from the deck of the boat and you do your best to grab him. Anyone who sees a person drowning does whatever he can to rescue him. It's not like we're heroes, after all." Such instinctive decency triumphs over polarized politics or fear of the "other"--a fear that can go both ways, as many of the African refugees have apparently never seen white skin before. The author's companion witness on the island is his father, a retired physician-turned-photographer who is both loving and reticent. The two communicate through the words the son writes, the images the father captures, and the silences that are pregnant with meaning between the two. "In doing portraits of faces, my father could sense the disintegration of life," writes Enia, continuing, "it was my father's way of trying to start a dialogue with God Himself, a dialogue that contained both an effort to understand and a conscious abandonment of self to the mystery of existence." Like the sea itself, that mystery is fathoms deep, encapsulated in a multilayered narrative that attempts to come to terms with the universality of mortality.A potent narrative that builds from matter-of-fact observation through horrific experience toward a metaphysical acceptance that is something like a state of grace.

      COPYRIGHT(2018) Kirkus Reviews, ALL RIGHTS RESERVED.

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  • English

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