Welcome Home

June 15, 2018

Published in 2015, A Manual for Cleaning Women posthumously collected stories by the brilliant, under-the-radar Berlin. It went off like firecrackers. Here are more stories, plus a memoir covering her peripatetic life from 1936 Alaska to 1966 Mexico.

Copyright 2018 Library Journal, LLC Used with permission.

August 6, 2018
The unique and captivating perspective prized by fans of Berlin (A Manual for Cleaning Women) is on haphazard but still-mesmerizing display in this nonfiction complement to her autobiographical short stories. Readers will recognize many real-life details mined for Berlin’s fiction, here rendered in less finished form: the peripatetic childhood in mining towns; high-society high school days in Chile; her successive marriages to jazz musicians and friends Race and Buddy. The volume’s first part consists of fragments from a memoir left unfinished at the time of her death in 2004, illustrated with numerous photographs. The second, stronger section presents select letters, many from her time living in New York City from 1959–1961. Although more editorial context would have been helpful, the (too few) missives will fascinate fans with what seems a peek at the unvarnished Berlin, whose self-reflective (“I am still not proud and I am not yet humble”) and candid (“We are laughing now, in debt and broke and sickly”) voice comes roaring through. For the uninitiated, starting with editor Stephen Emerson’s concluding biographical sketch would be a good entrée; even better would be to read Berlin’s stories and then return to this work with new appreciation. Agent: Katherine Fausset, Curtis Brown.

August 15, 2018
Tantalizing glimpses into the life of a recently-discovered writer.More than a decade after Berlin (1936-2004) died, A Manual for Cleaning Women: Selected Stories was published, and she began to find readers (Manual was a finalist for the 2015 Kirkus Prize). In a biographical note that first appeared in Manual, Stephen Emerson writes that Berlin lived a "rather flamboyant existence." This book is certainly evidence of that. The first part is an unfinished memoir chronologically organized by the places she lived, with photographs from her son. It's the story of a child, then woman, who lived an itinerant existence. Born in Alaska to a father who had to travel for work, the family moved to Idaho and then Kentucky, Montana, Idaho, Texas, and elsewhere. Berlin describes each home in exquisite, imagistic language, providing insights into how her unique writing style evolved. In Helena, a man's cabin is "an unpainted hut, really, with windows that looked like eyes and a door that was a goofy crooked smile." In a list of more than 30 of her residences, she crisply describes each--e.g., "House Edward Abbey had lived in. Only one burner worked. Filthy." And later: "No catastrophe. So far." A lengthy stay in Santiago, Chile, where she learned Spanish, went well, but her life was filled with hardship, alcoholism, drunken and addicted husbands, and money problems. There's very little here about her reading and writing, but clearly, the life lived is the inspiration for her stories. The second part contains letters written from 1944 to 1965 revealing a conflicted, anguished young writer. Most are to friend and mentor Ed Dorn, the Black Mountain School poet. In college, she wrote Dorn about sudden ambitions, and in the same letter, "I'm just so fouled up." In 1960: "I am so miserable. I have never been so afraid and unhappy....I believe...I am a writer...even believe that I am a good one."An excellent start to understanding a writer and her work.

COPYRIGHT(2018) Kirkus Reviews, ALL RIGHTS RESERVED.