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Sentimental Tales

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1 of 1 copy available
1 of 1 copy available

“Dralyuk’s new translation of Sentimental Tales, a collection of Zoshchenko’s stories from the 1920s, is a delight that brings the author’s wit to life.”—The Economist

Mikhail Zoshchenko’s Sentimental Tales are satirical portraits of small-town characters on the fringes of Soviet society in the first decade of Bolshevik rule. The tales are narrated by one Kolenkorov, a writer not very good at his job, who takes credit for editing the tales in a series of comic prefaces.
Yet beneath Kolenkorov’s intrusive narration and sublime blathering, the stories are genuinely moving. They tell tales of unrequited love and amorous misadventures among down-on-their-luck musicians, provincial damsels, aspiring poets, and liberal aristocrats hopelessly out of place in the new Russia, against a backdrop of overcrowded apartments, scheming, and daydreaming. Zoshchenko’s deadpan style and sly ventriloquy mask a biting critique of Soviet life—and perhaps life in generalAn original perspective on Soviet society in the 1920s and simply uproariously funny, Sentimental Tales at last shows Anglophone readers why Zoshchenko is considered among the greatest humorists of the Soviet era.

“A book that would make Gogol guffaw.”—Kirkus Reviews
“If you find Chekhov a bit tame and want a more bite to your fiction, then you need a dose of Zoshchenko, the premier Russian satirist of the twentieth century . . . Snap up this thin volume and enjoy.”—Russian Life
“Mikhail Zoshchenko masterfully exhibits a playful seriousness. . . . Juxtaposing joyful wit with the bleakness of Soviet Russia, Sentimental Tales is a potent antidote for Russian literature’s dour reputation.”—Foreword Reviews
“Superb.”—Los Angeles Review of Books
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    • Kirkus

      May 15, 2018
      A forgotten classic of early Soviet literature--forgotten for reasons political and not literary.Zoshchenko was a "fellow traveler" of Lenin and company, but, as Pasternak wrote of Zhivago, one of those kinds who supported the regime for reasons too subtle to make him reliable. "I have no hatred for anyone," he declared in 1922. "In general thrust, I'm closest to the Bolsheviks. And I'm willing to bolshevize around with them." That's just the kind of talk to get a writer of the Soviet era in trouble, though it took the authorities a quarter-century to get around to expelling Zoshchenko from the writers union. In the meantime, he wrote, including this slender collection of stories set out in the dusty, reactionary countryside, where the church still held sway and people still believed in things like love. Oh, transgressions occur there, to be sure: There are the usual vices, the usual scheming of married men to woo innocent maidens, that sort of thing. But mostly people are trying to figure out how to love according to the ideals of the new Soviet man and woman, and that's not so easy: A teacher of calligraphy is dismissed from his post after "the subject was stricken from the curriculum," and a music teacher who specializes in the triangle worries that he's next: "If they take that away from me, how would I live? What, besides the triangle, can I hold onto?" Throughout, Zoshchenko, breaking the fourth wall, comments on the various inadequacies that keep him from writing as well as he can about such matters and such people: "The tale's hero," he writes of one piece, "is trifling and unimportant, perhaps unworthy of the attention of today's pampered public." That may be all the more so today, but a century later, Zoshchenko is a writer worth knowing.A welcome rediscovery and a book that would make Gogol guffaw.

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