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The Design of Dissent

Socially and Politically Driven Graphics

ebook
1 of 1 copy available
1 of 1 copy available
Chosen by the Editors at Amazon.com as one of the top 50 Best Books of 2005 - Now in paperback!

With the world's economy in a slump, the Middle East's never ending conflict, and the on-going war on terrorism, there is a heightened awareness in the world community of the many sides of the numerous issues that both directly and indirectly affect our lives. Increasingly, people are feeling powerless and underrepresented because they have no voice.

Designers, however, have a voice. They are among the most influential bystanders because their skills enable them to communicate a message easily through the Web or through posters and printed pieces. A picture is worth a thousand words and designers have used this adage to their advantage for years by creating simple yet powerful designs that immediately convey the message to the viewer. The Design of Dissent focuses on graphic work that designers have made as a result of social and political concerns. The time is certainly ripe as the U.S., and world, flares in opposition on so many important issues.

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  • Reviews

    • Publisher's Weekly

      September 1, 2005
      With a vibrant display of buttons, posters and leaflets that protest the Iraq war, the corporate media, the Israeli military and all points between, this book cuts a wide swath, indeed. Assembled by designer Glaser, best known for his I ? NY logo, and Ilic, a School of Visual Arts instructor and author of several books on design, the book bursts with compelling political designs from all over the world, but it lacks an overall direction and shape. Neither a deeply snoozeriffic foreword by playwright Tony Kushner nor a rambling interview of Glaser by the New York Times' Steven Heller give any clear indication of the books' overall purpose. Not that there aren't images here to make the skin crawl and the blood boil, including a photo montage of victims processed at a Khmer Rouge extermination facility, and silverware superimposed on either side of a cow collapsed in meat factory filth. The most fascinating section of the book focuses on conflicts in the former Yugoslavia, bringing the region's brutal recent history to life with a shocking immediacy and quiet rage. However, despite the book's striking and colorful individual parts, it comes across as a loosely organized compendium of leftist protest paraphernalia.

    • Library Journal

      July 18, 2005
      With a vibrant display of buttons, posters and leaflets that protest the Iraq war, the corporate media, the Israeli military and all points between, this book cuts a wide swath, indeed. Assembled by designer Glaser, best known for his I ? NY logo, and Ilic, a School of Visual Arts instructor and author of several books on design, the book bursts with compelling political designs from all over the world, but it lacks an overall direction and shape. Neither a deeply snoozeriffic foreword by playwright Tony Kushner nor a rambling interview of Glaser by the New York Times' Steven Heller give any clear indication of the books' overall purpose. Not that there aren't images here to make the skin crawl and the blood boil, including a photo montage of victims processed at a Khmer Rouge extermination facility, and silverware superimposed on either side of a cow collapsed in meat factory filth. The most fascinating section of the book focuses on conflicts in the former Yugoslavia, bringing the region's brutal recent history to life with a shocking immediacy and quiet rage. However, despite the book's striking and colorful individual parts, it comes across as a loosely organized compendium of leftist protest paraphernalia.

      Copyright 2005 Library Journal, LLC Used with permission.

Formats

  • OverDrive Read
  • PDF ebook

Languages

  • English

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