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The Hot One

A Memoir of Friendship, Sex, and Murder

ebook
1 of 1 copy available
1 of 1 copy available
A true-crime, coming-of-age story with a tragic twist: a New York editor's quest to uncover the truth about the brutal murder of her wild and seductive friend in a "riveting...and thoughtful examination of how we grow up and apart" (Cosmopolitan).
As girls growing up in rural New Jersey in the late 1980s, Ashley and Carolyn had everything in common: two outsiders who loved spending afternoons exploring the woods. Only when the girls attended different high schools did they begin to grow apart. While Carolyn struggled to fit in, Ashley quickly became a hot girl: popular, extroverted, and sexually precocious.

After high school, Carolyn entered college in New York City and Ashley ended up in Los Angeles, where she quit school to work as a stripper and an escort, dating actors and older men, and experimenting with drugs. The last time Ashley visited New York, Carolyn was shocked by how they had grown apart. One year later, Ashley was stabbed to death at age twenty-two in her Hollywood home.

"Original and engaging" (Kirkus Reviews), The Hot One is the story of Carolyn's emotional quest to find out what really happened to her oldest friend. It's a journey that takes her through the hills of Hollywood, into courtrooms in Los Angeles, to strip clubs in Las Vegas, and back to her own childhood memories as she tries to unravel why she and Ashley became so different. How did Ashley end up the overtly sexual risk-taker—the hot one—while Carolyn was seen as the smart one, the observer? Carolyn's "memoir will shock and fascinate" (Booklist) readers as she explores the power of female friendships and pays tribute to the ones that stay with you long after they're gone.
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    • Kirkus

      June 1, 2017
      A New York media worker tries to comprehend a glamorous friend's murder.In her debut book, Murnick, an online editor at New York magazine, considers heady themes of sexuality, violence, and childhood loyalties. She writes in a breezy, flowing style that is observational yet inconsistent, at times parsing details with sharp terseness, elsewhere turning her consideration toward inward ruminations. She and Ashley, her best friend from suburban New Jersey, were already drifting apart when, in 2001, 21-year-old Murnick was shocked by news of Ashley's murder in Los Angeles, particularly since Ashley had revealed to the author her dabblings in the sex-and-drugs underground of LA celebrity culture. "Eight months later she was dead," writes Murnick, "and I was reading about it in the paper, trying to convince myself that it didn't matter to me as much as it did. I knew that I had just about let her go in the months leading up to things, and it was impossible to know if we would have found our way back together." The case was cold for years until the startling arrest of Michael Gargiulo, a neighbor and suspected serial killer. Linked by DNA evidence to at least two similar slayings, he'd ingratiated himself into Ashley's social circle by offering conveniently timed home repairs (Murnick's depiction of this provides an excellent guide to spotting sociopaths). The author attended the long pretrial hearings for the accused, meeting Ashley's still-mourning LA friends and reconstructing a fuller portrait of Ashley's "secret" life, which under scrutiny appeared both decadent and naive: "Ashley didn't deserve any of this. She had suddenly been made into a public figure for the worst possible reason." There are powerful vignettes throughout, as the author describes her encounters with figures ranging from the meditative defense attorney to jaded reality TV journalists, but since Gargiulo's trial has been delayed indefinitely, the narrative feels unresolved, with an increasing emphasis on inward observation. An original and engaging, if uneven, fusion of memoir and true-crime.

      COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Library Journal

      June 1, 2017

      Murnick (online editor, New York magazine) and Ashley Ellerin were best friends in grade school, but their lives diverged when Murnick went to college and Ellerin moved to L.A., dating movie stars (including Ashton Kutcher) and partying the night away. Ellerin's brutal murder in 2001 filled Murnick with shock and guilt, and when, eight years later, a break in the cold case came, she used her journalism skills and contacts to try to get a handle on what had happened and how their lives could have turned out differently. Navigating the long, tedious, and unsatisfying process of the trial, Murnick also meditates on female friendship, its closeness and competitiveness, and how and why girls get pegged as "the smart one" and "the hot one," and how it can warp their lives. As the author struggles to understand Ellerin, she grieves the child she was and the woman she would never become. Seeking "closure" from the trial of the accused killer, she discovers "a verdict is certainly not the same as the truth." VERDICT This fusion of memoir and procedural should be welcomed by readers of autobiography as well as true crime.--Deirdre Bray Root, MidPointe Lib. Syst., OH

      Copyright 2017 Library Journal, LLC Used with permission.

    • Booklist

      May 1, 2017
      In 2001, when Murnick, now an editor at New York, was in her early twenties, she learned that her childhood best friend, Ashley, had been stabbed to death in her Hollywood home. Murnick had last seen her friend alive a year earlier, when Ashley visited her in Manhattan for a somewhat strained weekend, in which the author felt their friendship flickering out. As the years passed, and Murnick grew into her career in journalism, thoughts of Ashley and what had been going on in her life, beyond her working in a strip club, which she told Murnick little about, increased and deepened. And so she begins to painstakingly follow the caseits new developments, apprehended suspect, hearings, crime sitesperpetually explaining her obsession as a need to know what happened to her friend. Including worthwhile consideration of how female victims are often blamed for their own attacks (the defense paints Ashley as a sexually active party girl to cast reasonable doubt on its client's guilt) and women's friendships in general, Murnick's memoir will shock and fascinate.(Reprinted with permission of Booklist, copyright 2017, American Library Association.)

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