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The Hour of the Star ()

ebook
0 of 6 copies available
Wait time: About 10 weeks
0 of 6 copies available
Wait time: About 10 weeks

A new edition of Clarice Lispector's final masterpiece, now with a vivid introduction by Colm Tóibín.

Narrated by the cosmopolitan Rodrigo S.M., this brief, strange, and haunting tale is the story of Macabéa, one of life's unfortunates. Living in the slums of Rio and eking out a poor living as a typist, Macabéa loves movies, Coca-Colas, and her rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly, underfed, sickly and unloved. Rodrigo recoils from her wretchedness, and yet he cannot avoid the realization that for all her outward misery, Macabéa is inwardly free/She doesn't seem to know how unhappy she should be. Lispector employs her pathetic heroine against her urbane, empty narrator—edge of despair to edge of despair—and, working them like a pair of scissors, she cuts away the reader's preconceived notions about poverty, identity, love and the art of fiction. In her last book she takes readers close to the true mystery of life and leave us deep in Lispector territory indeed.
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    • Publisher's Weekly

      January 1, 1986
      The narrative material of this short, almost weightless tale by the late Brazilian writer (19251977) is reminiscent of old-fashioned naturalism, but the intention is far from that. Macabea, a young woman from the backwoods, arrives in bewildering Rio. Homely, ignorant, without skills or experience, she lodges in a shabby tenement in a squalid red-light district. Her transient boyfriend, a strutting lout and sham, soon abandons her. After a time, Macabea is struck down by a Mercedes and killed: an obscure life, a banal death. The author's presence is continuously feltthe narrator-of-record is a mere front for itand it is here that the work goes awry. The nagging voice attempts to elevate Macabea's little life to nobility and religious significancebut to no avail. And the modish commentary on novelistic method amounts to little more than affectation.

    • Library Journal

      February 15, 2012

      As Lispector was dying in 1977, she and her secretary constructed this novel from notes, which partially explains its fragmentary nature. The detached male narrator, Rodrigo S.M., tells the story of Macabea, a rickety, Coca-Cola-drinking virgin from the poor region of Alagoas, who moves to Rio's urban jungle. She lands a job as a typist and becomes enamored of the self-seeking Olimpico. After he dumps her for the worldlier Gloria, Macabea requests the advice of a fortune teller. No sooner is she buoyed by the seer's optimistic predictions than she is run over by a car. The joy of this novel is that we experience both Rodrigo's indulgent introspection as well as Macabea's woeful life. This new translation begs comparison with Giovanni Pontiero's 1986 version; many phrases are identical, but some wording is slightly different or has been contemporized. The translator, author of the Lispector biography Why This World, understands the nuances of Lispector's often-hermetic style. VERDICT For readers who passed it up the first time, now would be the chance to become acquainted with the last and perhaps finest work of one of the foremost authors of 20th-century Brazilian literature.--Lawrence Olszewski, OCLC Lib., Dublin, OH

      Copyright 2012 Library Journal, LLC Used with permission.

    • Library Journal

      Starred review from October 1, 2014

      The great author's last and arguably finest novel portrays an unskilled country girl trying to make a living in the big city, only to have her life ironically snuffed out.

      Copyright 2014 Library Journal, LLC Used with permission.

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